Within the "Yellow Wallpaper," by Charlotte
Perkins Gilman, the narrator transitions from a state of subordination to a
state of authority; finding an escape from her husband and society's dominance
through utter insanity. Throughout the
story, the narrator is treated as if she were a child and is placed in a
nursery to emphasize her lack of authority within society, having as little
power as an infant when it comes to her relationships and her status. John, the
narrator's husband, never listens to her concerns and brushes off the severity
of her case, postpartum depression, because he has "more serious cases"
to tend to. When the narrator wishes to discuss important matters with John, he
often speaks with the most condescending tone calling her his "blessed
little goose" (1686 Gilman) and he even carries her to her room and reads
to her until she falls asleep one night following a disagreement. It is not until the narrator fully loses
herself (her dependable and accepting nature that all women are "supposed"
to possess) that she is able to experience a sense of freedom that she lacked
in her marriage. Earlier in the story
the narrator mentions how inappropriate it is for a woman to creep in the open
causing her to creep in private: "It must be very embarrassing to be
caught creeping by daylight...I always lock the door when I creep by
daylight" (1693 Gilman). The narrator is bound to society's rules and
expectations so she hides whatever society deems unpleasant because she does
not want to bring to light what the rest of the world does not wish to see. At
the end however, the narrator is freed from her subordinate role through her
lunacy and overcomes her husband when he finds her creeping by daylight:
"Now why should that man have fainted? But he did, and right across my
path by the wall, so that I had to creep over him every time!" (1695
Gilman). John no longer has power over
the narrator; she, on the other hand, brings to light the dire situation of her
case and no longer allows him to prevent her from doing what she, not society
as a whole, deems fit.
Gilman
attacks the "rest cure" within the "Yellow Wallpaper"
because she believed that this treatment represented the inferiority of women
during this time period. She wrote this cautionary tale not only to combat the
"rest cure" but also to warn against the inevitable outcome if
society did not change its view. Gilman
warns that women will eventually break free from their lesser positions in one
of two ways, whether it be through society's change of heart or through madness.
I read the story and didn't really understand the meaning behind it. It was a bit frustrating, so this clarified it a little bit. I'm still not quite seeing the symbolism of the yellow wall paper. I get that the room is meant as a prison and a trap, but I'm not sure why Gilman chose that particular image. I know there was this belief in the 19th century that women were fragile creatures, and it was easy to label a woman as "insane." I'm sure any woman who didn't conform was considered crazy, so I can definitely see the connection there.
ReplyDeleteI agree with you that the narrator uses her madness to escape societal oppression. The more time she spends in the room, the more authority she gains in her diaries. She begins to justify certain things--like staying up throughout the night to watch the paper--and she begins to grow suspicious of anyone that looks at the wallpaper a certain way. She is no longer the frail, quiet woman we are originally introduced to. Instead, she does reach a degree of madness and identifies as a trapped woman. This entrapment is both literal and figurative. From the way her husband treats her, it is no wonder she identifies with the woman who is trapped in the wall-paper.
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